Vol. 3 No. 1 (2025)

DOI: https://doi.org/10.58721/jvpa.v3i1
Published: 2025-08-06

Articles

  • Music and Cultural Exchange: Exploring Davido’s Contributions to Borderless Music

    Kadupe Sofola, Mellitus N. Wanyama
    1-10
    Abstract Views: 287
    DOI: https://doi.org/10.58721/jvpa.v3i1.1189

  • Musical Narratives of Oil Exploration and Profit Manoeuvring in Post-Colonial Nigeria 1989-2022

    Olufemi Akanji Olaleye, Omolara Olasunbo Loko
    11-23
    Abstract Views: 146
    DOI: https://doi.org/10.58721/jvpa.v3i1.1273

  • Talent versus Formal Education in Kenyan Music Production: A Critical Analysis of Value Perception among Industry Stakeholders

    Brian Bichanga Nyandieka
    24-34
    Abstract Views: 151
    DOI: https://doi.org/10.58721/jvpa.v3i1.1289

  • Trends of Opera in Nigeria from Pre-Colonial to Contemporary Modernism

    Adeolu Abe, Jacob Olabode Falusi
    35-43
    Abstract Views: 115
    DOI: https://doi.org/10.58721/jvpa.v3i1.1469

  • The Evolution of Digital Dance: Choreography in the Age of Motion Capture and Avatars, a case of Nairobi City County

    Freda Agata, Amon Kipyegon Kirui
    44-52
    Abstract Views: 94
    DOI: https://doi.org/10.58721/jvpa.v3i1.1515

  • Reclaiming the Sonic Archive: AI, Data Sovereignty, and the Future of Mijikenda Music

    Linus Wechuli Odeke, Amon Kipyegon Kirui
    53-62
    Abstract Views: 95
    DOI: https://doi.org/10.58721/jvpa.v3i1.1516

  • The Transformative Role of Artificial Intelligence in Enhancing Transparency and Efficiency in Music Royalty Distribution in Kenya

    Michael Jozee Ndongo, Amon Kipyegon Kirui
    63-74
    Abstract Views: 167
    DOI: https://doi.org/10.58721/jvpa.v3i1.1517