Vol. 11 No. 1 (2022)

Articles

• The Soldier, The Chapel, The Wedding and the Composer: Assessing the Works of Dufay and Saint Maurice of Savoy in the 15th Century

  Thomas Sylvand

  51-68

  DOI: https://doi.org/10.58721/amo.v11i1.91

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• The Musical Art Creativity and Contributions of Isaac Idamoyibo to Okpe Discourse

  David Bolaji

  69-84

  DOI: https://doi.org/10.58721/amo.v11i1.115

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• EFFICACY OF A MUSIC-BASED INTERVENTION ON ENHANCEMENT OF TREATMENT MOTIVATION AMONG CLIENTS WITH SUBSTANCE USE DISORDERS IN RESIDENTIAL TREATMENT IN KENYA

  Antony Chege, Beatrice Kathungu, Muchiri Karega

  DOI: https://doi.org/10.58721/amo.v11i1.55

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• THE GLOBALISATION OF AFRICAN MUSICAL INSTRUMENTS: A CASE OF THE ADEUDEU OF TESO COMMUNITY IN KENYA

  Nancy A. Masasabi, Fred W. Kususienya

  85-99

  DOI: https://doi.org/10.58721/amo.v11i1.79

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• Negotiating Societal Crises through Eschatological Narratives in Yoruba gospel music: Notes from Evangelist J. A. Adelakun’s “Amona tete maa bo”

  Toyin Samuel Ajose

  DOI: https://doi.org/10.58721/amo.v11i1.83

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