Vol. 9 No. 1 (2019)

DOI: https://doi.org/10.58721/amo.v9i1
Published: 2021-11-17

Articles

  • COMPOSITION FRAMEWORK FOR CONTEMPORARY ARTISTS WHO USE TRADITIONAL TUNES

    Gabriel Musungu
    Abstract Views: 384
    DOI: https://doi.org/10.58721/amo.v9i1.15

  • ANALYSIS OF BÈMBÉ MUSIC OF OBÀFÈMI OWÓDÉ COMMUNITY, OGUN STATE SOUTH WEST NIGERIA

    Albert Oikelome
    Abstract Views: 236
    DOI: https://doi.org/10.58721/amo.v9i1.13

  • TOOLS FOR ASSESSMENT AND EVALUATION OF VOCAL MUSIC AMONG SELECTED UNIVERSITIES IN KENYA

    Everline Kwamboka Ogari, Beatrice A. Digolo, Duncan M. Wambugu
    Abstract Views: 483
    DOI: https://doi.org/10.58721/amo.v9i1.14

  • COMMUNICATIVE VIABILITY OF NYATITI MUSIC WITHIN SELECTED SUB-COUNTIES IN SIAYA

    Beatrice Digolo
    Abstract Views: 347
    DOI: https://doi.org/10.58721/amo.v9i1.12