Vol. 14 No. 1 (2025)

DOI: https://doi.org/10.58721/amo.v15i1
Published: 2025-01-20

Articles

  • Tonality and Atonality of Speech Surrogacy as Resource for African Pianism

    Seun Owoaje
    1-13
    Abstract Views: 324
    DOI: https://doi.org/10.58721/amo.v15i1.897

  • An Analysis of Indigenisation Dynamics of Kenya Army Band Martial Music

    David Ekal, Mellitus Wanyama, Joyce Mochere
    14-25
    Abstract Views: 312
    DOI: https://doi.org/10.58721/amo.v14i1.905

  • From rebellion to revenue: Revisiting commercialisation and digital platforms in Kenyan political protest music

    Amon Kipyegon Kirui
    26-36
    Abstract Views: 616
    DOI: https://doi.org/10.58721/amo.v14i1.957

  • Let a Woman Conduct: Gender Dynamics in Church Choral Ministries within the Baptist Churches of Southwestern Nigeria

    Oluseun Sunday Odusanya, Zacchaeus Adelere Adesokan, Damaris T’Oluwalope Aremu, Mary A. Niyi-Ojo, John Ade Aderogba
    37-46
    Abstract Views: 347
    DOI: https://doi.org/10.58721/amo.v14i1.983

  • The Uptake of Live-streaming Technology among Zimbabwean Musicians and their Audiences

    Louisa Mlambo, Wonder Maguraushe
    47-55
    Abstract Views: 291
    DOI: https://doi.org/10.58721/amo.v14i1.1007

  • An analysis of Alick Macheso’s Music in Promoting Mediation and Conflict Resolution

    Richard Muranda, Dorothy Goredema
    56-64
    Abstract Views: 429
    DOI: https://doi.org/10.58721/amo.v14i1.1017