Vol. 7 No. 1 (2017)

Articles

• ANALYSIS OF EDI EDISE: A COMPOSITION FOR AFRICAN ORCHESTRA

  Isaac E Udoh

  Abstract views: 133

  https://doi.org/10.58721/amo.v7i1.23

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• ASSESSMENT OF MUSIC TEACHERS ON THE POOR PERFORMANCE OF WEST AFRICAN EXAMINATIONS COUNCIL (WASSCE) MUSIC PRACTICAL TEST

  Joshua A Amuah, Emmanuel Obed Acquah, Mary Priscilla Dzansi-McPalm

  Abstract views: 168

  https://doi.org/10.58721/amo.v7i1.28

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• THE IMPACT OF DÚNDÙN DRUMMERS ON THE DEVELOPMENT OF TRADITIONAL MUSIC IN SOUTH WEST NIGERIA

  Atinuke Adenike Idamoyibo

  Abstract views: 137

  https://doi.org/10.58721/amo.v7i1.26

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• ANALYTICAL STUDY OF HARUNA ISHOLA’S COMPOSITIONAL TECHNIQUES IN ‘INA RAN’

  Loko Olugbenga Olanrewaju , Loko Olasumbo Omolara

  Abstract views: 136

  https://doi.org/10.58721/amo.v7i1.24

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• “NONSENSICAL SYLLABLE”? AN INQUIRY INTO ITS RATIONAL IN SUB-SAHARA AFRICAN

  Sunday Ofuani

  Abstract views: 156

  https://doi.org/10.58721/amo.v7i1.22

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• THE INDIGENOUS MUSIC OF CHRIST APOSTOLIC CHURCH IN NIGERIA AND THE DIASPORAS: A PROOF OF CHRISTIAN TRANSFORMATIVE MUSICALITY

  Femi Adedeji

  Abstract views: 188

  https://doi.org/10.58721/amo.v7i1.27

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• REFLECTIONS ON INDIGENOUS AND MODERNIST PEDAGOGIES: THE CAUSATIVE FORCE OF REPETITION

  Meki Nzewi

  Abstract views: 145

  https://doi.org/10.58721/amo.v7i1.25

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