Contemporary Ideas in African Art Music Composition: An Exploration of the Vocal and Instrumental Works of Seun Owoaje

Abstract

African art music continues to evolve through the contributions of contemporary composers who build on the legacies of their progenitors. Despite its growth, there has been a gap in the literature regarding its contemporary appeal, especially with respect to the works of modern African art music composers. Anchored on postcolonial theory, this study investigates the contemporary ideas shaping African art music composition by exploring the works of Seun Owoaje, a Nigerian composer known for his innovative integration of African musical idioms with Western structures. It aims to identify stylistic elements, thematic concerns, and compositional techniques employed by Seun Owoaje in his vocal and instrumental works. Adopting a qualitative design, data were sourced through in-depth oral interviews with the composer, coupled with analysis of his selected compositions. Seun Owoaje's music is informed by open-mindedness, creative ethnomusicology, social commentary, and inspiration from non-musical experiences. His works exhibit a deliberate blending of diverse musical traditions, reflect Yoruba cultural values, and offer philosophical insight on contemporary social issues through music commentary. The study contributes to the understanding of African art music as a platform for cultural reclamation and modern artistic expression, while providing valuable insights to teachers of music composition regarding blending innovative thinking with musical devices in the training of African art music composers. Research-based compositions should also be encouraged to blend indigenous elements with formal music training to ensure authenticity and innovation.